#Love and hip hop atlanta season 9 trial
#Love and hip hop atlanta season 9 series

As the home of HBCUs like Spelman and Morehouse College, the city was always welcoming young Black people across the country and assimilating their cultures. But over time, Atlanta started to take on the flavors of other regions. West friction reflected the reality of the moment: coastal sounds owned the clubs, and raunchy bass music from Miami and Memphis crunk filled in the margins. The Dungeon Family made music that complicated this glowing image. In the '90s, city officials were trying to prove Atlanta was a utopia, especially with the arrival of the Olympics in 1996. Their lyrics centered the experiences of the Black working class in Atlanta, people being pushed aside in service of the city's Black bourgeoisie. The following year, Goodie Mob's Soul Food helped coin the term 'Dirty South.' With Organized Noize recording both groups and more in producer Rico Wade's basement - the subterranean namesake of the rising Dungeon Family - Outkast and Goodie Mob rapped atop complex, layered soundscapes of soul and funk.

#Love and hip hop atlanta season 9 trial

After a trial run on the label's Christmas compilation, ' Player's Ball' became so popular that the duo scored a record deal, releasing Southernplayalisticadillacmuzik in 1994. Reid was finally coming around on Outkast. (These tapes found their way into the possession of rappers like Killer Mike and Young Jeezy.) Scattered victories followed: the rapper Mo-Jo became the first MC to get local airplay (1983), MC Shy D signed to Miami's Luke Records (1986), producer Jermaine Dupri brought the precocious kids of Kris Kross to the top of the Billboard Hot 100 (1992) and the so-called 'anti-gangstas' Arrested Development won the Grammy for best new artist (1993).Īround that same time, LaFace Records co-founder L.A.

#Love and hip hop atlanta season 9 series

The scene was born in earnest in 1980, when King Edward J opened Landrum's Records & More, self-releasing a series of 'J-Tapes,' personalized mixtapes that set the foundation for Atlanta rap that would follow. In retrospect, the moment is a clear turning point, for the South and for Atlanta in particular, but the latter was still trying to figure out its musical identity.

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Teaching the significance of Southern hip-hop.Queering the mic: The lack of representation in hip-hop creates challenges for LGBTQ Atlanta rappers.Amid these opposing truths, Atlanta teeters but never falls from its pedestal. It is a legacy built on resistance, but also compliance. The legend of 'Black mecca' - of the 'rap capital' - is crafted by both locals and transplants, and classism is essential to its narrative, as income inequality separates Atlanta's Black elite from those living in housing projects. Its unique perspective is born of a place that is as fascinating as it is complicated.

That is how its hip-hop scene became the center of the rap universe, the last semblance of a monoculture. Its Black culture feels singular, yet mirrors other Black experiences, throughout the South and elsewhere in the nation. Nudy and Savage, who is currently on tour with Drake, have risen because their music feels both ways at once: authentic and hyperlocal, and yet deceptively accessible and ubiquitous. The song, with its wordless hook ('Boaw, boaw, boaw, boaw') and hypersexual lyrics nodding to raunchy Atlanta jams of the past, is insanely catchy, but there is also an Easter egg within: 21's verse strikingly reimagines the local 2006 hit ' Bubble Gum' by K-Rab and D4L. For evidence of Atlanta's continued ability to produce music that feeds both the underground and the mainstream, look no further than Young Nudy's single 'Peaches & Eggplants,' with his cousin, the stoic cutthroat 21 Savage.